MIO Console supports two different Control Surface communication protocols: Euphonix’s EuCon and Mackie Design’s Mackie Control Protocol. I would not now bother with DM, even if it were available for RME on Mac, Totalmix does it for me.MIO Console v.5.1 adds extensive support for external tactile control surface units. With traditional monitoring, you can’t hear that, because you’re listening to the off-tape track. The only downside, compared with traditional hardware desk/recorder monitoring, is that the input I hear from Totalmix isn’t identical to the playback of the recorded track (which will include effects etc in Nuendo), it’s simply the feed from the studio.īut what’s BETTER, is that I can hear the live input pre-drop-in, in case the talent isn’t ready, or whatever. Totalmix handles all of that.įor drop-ins, setting the option in Nuendo to Tape-style monitoring (it’s always set to that), I hear the recorded track until I hit record, after which I hear the new take live. I run a commercial music studio, with up to 8 separate stereo headphone feeds to the talent. I use RME (currently Fireface 800) and this is just NOT a problem, if you use Totalmix for monitoring.
Headphone feeds in mio console mac#
This has been a major crippling issue with running SB on Mac for the entire time they’ve been on Mac.” “When you hit record on a punch-in, will it flip the monitoring from playback to the zero latency input? AFAIK only Steinberg’s hardware will do this. The UAD stuff gets all buggy at low latencies. I need at least a 1024 buffer for it to run smoothly, and that’s on a 3.5ghz i7 imac (current model) with 16gigs of RAM. My typical projects are maxing out 6 cores of UAD, running The Grand 3, VB3 and at least a few channels of Melodyne, Lexicon PCM, etc. Oh yeah, running on low latency doesn’t work at all. It’s only ever overdubbing that I have to do once a mix is put together. The only problem there is it’s only 2 channels of low latency input. The Omni sees the Lynx (with a LT card) as an Avid 16 so I get all the inputs and get to keep my Lynx. My next move will probably be to a PTHD native. FWIW, the UAD Apollos would solve this problem too but…I like the lynx conversion better. I miss that a LOT.Īt any, thanks again for trying. I was also really disappointed to see that Digicheck doesn’t work. Simultaneously muting the Nuendo Channel while hitting record really doesn’t work. If you have a solution to this problem I’d love to hear it. Sure you can set up zero latency bounce back but it becomes a total mess when you’re punching in. I’m not at all familiar with the solution people are talking about regarding Totalmix and I’ve had it for a long long time. Even the Nuage stuff at $3,300 is only 16 channels and I already have a converter that I like. It happens frequently enough that I need more than 16 inputs and I certainly need all 16 from my Lynx. I route 16 input via ADAT from my Lynx Aurora and have the 8 analog ins on the FF - actually 10 analog for a total of 26 inputs. If I were solely committing to Nuendo…it still wouldn’t solve my issues unless it has the same I/O as the Fireface. Probably b/c I posted via…MY IPHONEĪnyway, yeah it doesn’t really help me to know that I have to buy a Steinberg interface.
For whatever reason I didn’t get notifications on this thread.
0 kommentar(er)
